{"id":1890,"date":"2012-09-25T00:00:40","date_gmt":"2012-09-24T23:00:40","guid":{"rendered":"http:\/\/wortraub.com\/?p=1890"},"modified":"2013-06-02T08:31:44","modified_gmt":"2013-06-02T07:31:44","slug":"aimee-mann-charmer","status":"publish","type":"post","link":"https:\/\/wortraub.com\/?p=1890","title":{"rendered":"CD-Tipp: Aimee Mann &#8211; &#8222;Charmer&#8220; (Singer\/Songwriter)"},"content":{"rendered":"<h3 style=\"text-align: justify;\">Aimee Mann &#8211; &#8222;Charmer&#8220; &#8211; Review der CD (V2\/Soulfood: 21.09.2012)<!--more--><\/h3>\n<p style=\"text-align: justify;\">Sie geh\u00f6rt zweifellos zur ersten Garde der amerikanischen Songwriter und hat mit ihrer sanft-samtigen Stimme und ihren tiefgr\u00fcndigen Songs ein Millionenpublikum erreicht. Vier Jahre sind ins Land gestrichen seit Aimee Manns letzten Album \u201e@#%&amp;*! Smilers\u201c. Mit \u201eCharmer\u201c ver\u00f6ffentlicht Mann nun einen direkten Nachfolger des Albums. Ihre zwischen Pop und Rock pendelnden Songs, die immer wieder mit Country-Momenten versetzt sind, \u00a0erz\u00e4hlen mal leichte, sonnige Anekdoten aus dem Leben, mal hintergr\u00fcndige Einsichten in die Zwischenmenschlichkeit. So ist der Titeltrack \u201eCharmer\u201c etwa eine mit Augenzwinkern erz\u00e4hlte Midtempo-Nummer \u00fcber Blender und Aufrei\u00dfer und ihre vermeintlichen Erfolge, w\u00e4hrend \u201eCrazytown\u201c mit leichten T\u00f6nen aber ernstem Hintergrund die Probleme subjektiver Wahrnehmung thematisiert.<\/p>\n<p style=\"text-align: justify;\">Aimee Mann<\/p>\n<p style=\"text-align: justify;\">\u201eCharmer\u201c<\/p>\n<p style=\"text-align: justify;\">V2 \/ Soulfood<\/p>\n<p style=\"text-align: justify;\">21.09.2012<\/p>\n<p style=\"text-align: justify;\">Singer\/Songwriter<\/p>\n<p style=\"text-align: justify;\">Urspr\u00fcnglich erschienen im Piranha 10\/2012.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aimee Mann &#8211; &#8222;Charmer&#8220; &#8211; Review der CD (V2\/Soulfood: 21.09.2012)<\/p>\n","protected":false},"author":1,"featured_media":1891,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[21],"tags":[474,31,22,52,33],"class_list":["post-1890","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musikreviews","tag-aimee-mann","tag-musik","tag-review","tag-rock","tag-singersongwriter"],"_links":{"self":[{"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/posts\/1890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wortraub.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1890"}],"version-history":[{"count":9,"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/posts\/1890\/revisions"}],"predecessor-version":[{"id":2895,"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/posts\/1890\/revisions\/2895"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/media\/1891"}],"wp:attachment":[{"href":"https:\/\/wortraub.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wortraub.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wortraub.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}