{"id":424,"date":"2008-03-01T00:00:40","date_gmt":"2008-02-29T23:00:40","guid":{"rendered":"http:\/\/wortraub.com\/?p=424"},"modified":"2013-06-02T12:59:54","modified_gmt":"2013-06-02T11:59:54","slug":"killwhitneydead-nothing-less-nothing-more","status":"publish","type":"post","link":"https:\/\/wortraub.com\/?p=424","title":{"rendered":"CD-Tipp: Killwhitneydead &#8211; &#8222;Nothing Less Nothing More&#8220; (Metal)"},"content":{"rendered":"<p style=\"text-align: justify;\">Review: Killwhitneydead &#8211;\u00a0<em>Nothing Less Nothing More<\/em> (2008)<\/p>\n<p style=\"text-align: justify;\">urspr\u00fcnglich erschienen in Piranha 03\/2008<\/p>\n<p style=\"text-align: justify;\"><!--more--><\/p>\n<p style=\"text-align: justify;\">Edgar Allan Poe schrieb einmal, dass es kein passenderes Thema f\u00fcr die Kunst gebe, als den Tod einer sch\u00f6nen Frau. Ob er bei diesem Ausspruch auch die brachial Deathcore-Combo Killwhitneydead aus North Carolina im Kopf hatte, bleibt allerdings zu bezweifeln. Das Thema jedenfalls d\u00fcrfte Matt Rudzinski und Kumpanen auch gefallen. Zumindest, wenn man sich das vierte Album der Mannen anh\u00f6rt. Darauf bleiben sie ihrer Form von Kunst treu. Die\u00a0 Texte handeln von der Verf\u00fchrung Frau, vom Gewaltpotential Mann, von Tod und Verderben. Der Stoff aus dem auch Poes Geschichten geschaffen sind. Dazu gibt es dann aber ganz modern massig gesampelte Zitate aus der Popkultur, von MTVs <em>Family Guy<\/em> bis Rob Zombies <em>The Devil&#8217;s Rejects<\/em>. Das Ganze mischen sie dann noch mit Metalriffs, ausgerotzten Vocals und Hardcore-Gekn\u00fcppel. So muss sich Musik anh\u00f6ren, mit der wir uns echt unbeliebt bei Schwiegermuttern machen k\u00f6nnen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Review: Killwhitneydead &#8211;\u00a0Nothing Less Nothing More (2008) urspr\u00fcnglich erschienen in Piranha 03\/2008<\/p>\n","protected":false},"author":1,"featured_media":425,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[21],"tags":[728,17,31,108,22],"class_list":["post-424","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musikreviews","tag-killwhitneydead","tag-metal","tag-musik","tag-numetal","tag-review"],"_links":{"self":[{"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/posts\/424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wortraub.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=424"}],"version-history":[{"count":9,"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/posts\/424\/revisions"}],"predecessor-version":[{"id":3155,"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/posts\/424\/revisions\/3155"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/media\/425"}],"wp:attachment":[{"href":"https:\/\/wortraub.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=424"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wortraub.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=424"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wortraub.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}