{"id":49,"date":"2008-10-01T00:00:01","date_gmt":"2008-09-30T23:00:01","guid":{"rendered":"http:\/\/wortraub.com\/wordpress\/?p=49"},"modified":"2013-06-02T10:49:57","modified_gmt":"2013-06-02T09:49:57","slug":"bis-ins-extrem","status":"publish","type":"post","link":"https:\/\/wortraub.com\/?p=49","title":{"rendered":"CD-Tipp: All That Remains &#8211; &#8222;Overcome&#8220; (Metal)"},"content":{"rendered":"<p style=\"text-align: justify;\">Review: <em>Overcome<\/em> von All That Remains (Prosthetic, 2008)<\/p>\n<p style=\"text-align: justify;\">Urspr\u00fcnglich ver\u00f6ffentlicht in Piranha 10\/2008<!--more--><\/p>\n<p style=\"text-align: justify;\">Wie auch schon auf ihrem letzten Album <em>The Fall of Ideas<\/em>, gehen die Mitglieder von All That Remains auf ihrem neuesten Werk <em>Overcome<\/em> konsequent den n\u00e4chsten Schritt weiter in Richtung der Extreme. Ihr Metalcore-Sound scheint dabei den Spagat bis zum Exzess zu betreiben. Einerseits h\u00e4mmerde Metal-Parts inklusive Growls und fiesem Riffing, andererseits ein Hang zur Melodie, der an Popgef\u00fchl kaum zu \u00fcberbieten ist. \u201eWir wollen uns weiterentwickeln, das ist doch ganz nat\u00fcrlich f\u00fcr eine Band, oder?\u201c berichtet S\u00e4nger Phil Labonte und trifft damit den Ton des Albums perfekt. Denn neben \u00fcblichen Metalcore-Krachern hat sich mit \u201eBelieve In Nothing\u201c erstmals sogar eine ganz untypische Ballade (f\u00fcr ATR-Verh\u00e4ltnisse) auf das Album geschlichen. So viel Melodief\u00fchrung und sanfte Emotionalit\u00e4t ist neu. Aber es passt auch zur Weiterentwicklung der Band, denn die geht konsequent bis in die Extreme ihrer Musik.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Review: Overcome von All That Remains (Prosthetic, 2008) Urspr\u00fcnglich ver\u00f6ffentlicht in Piranha 10\/2008<\/p>\n","protected":false},"author":1,"featured_media":50,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[21],"tags":[706,105,23,31,22],"class_list":["post-49","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musikreviews","tag-all-that-remains","tag-hardcore","tag-metalcore","tag-musik","tag-review"],"_links":{"self":[{"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/posts\/49","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wortraub.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=49"}],"version-history":[{"count":9,"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/posts\/49\/revisions"}],"predecessor-version":[{"id":3122,"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/posts\/49\/revisions\/3122"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wortraub.com\/index.php?rest_route=\/wp\/v2\/media\/50"}],"wp:attachment":[{"href":"https:\/\/wortraub.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=49"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wortraub.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=49"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wortraub.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}